Singing and Chiming. Ancient and Baroque Sounds
Andrés Cea Galán organ
Between Naples and Aragon. A Jungle of Music for a Viceroy
Giovanni Salvatore (1611-1688)
Toccata
Giovanni Maria Trabaci (c. 1575-1647)
Canzona francesa sesta
Canzona francesa terza
Bernardo Storace (c. 1637-c. 1707)
Aria sopra la Spagnoletta
Ricercar di legature
Pablo Bruna (1611-1679)
Tiento de mano derecha y al medio a dos tiples
Tiento de sexto tono
Tiento de falsas de segundo tono
Sebastián Aguilera de Heredia (1565-1627)
Obra de primer tono
Joseph Ximénez (1600-1660)
Batalla de sexto tono
Concert without intermission
Purchase tickets through the website only for the cost of distribution expenses
Mediterranean Round Trips
The Jerez-born organist currently living in Seville, Andrés Cea Galán, is one of the essential personalities of the Spanish organ today, as a concert player, teacher, researcher, promoter and organizer. As the instigator of the Academia de Órgano de Andalucía and more recently of the Instituto del Órgano Hispano, he brings a proposal of enormous interest to San Jerónimo, as it traces the intense relations that had existed since ancient times between Naples –which belonged to the kingdom of Aragon until the beginning of the 18th century– and Spain. He does so by bringing together the avant-garde of Neapolitan keyboard musicians from the early 17th century (Salvatore, Trabaci, Storace), as creators of music of almost experimental modernity, with the compositions of some of the main organists who worked at that time in the Aragonese kingdom (Aguilera de Heredia, Bruna, Ximénez).
